Oliver Heldens, Ian Asher, & Sergio Mendes · Mas Que Nada
2 (+2)
Sparse
0
▼ −12.0
29
15
18
Maur & Faber · Feel My Love
2 (+2)
Sparse
46
▼ −11.9
49
49
19
MOTi & Amero Feat. Hallasen · Round Round
5 (+1)
Steady
35
▲ +11.9
42
52
20
Bebe Rexha & Faithless · New Religion
5 (+1)
Building
75
▲ +11.8
52
67
21
Angelic · It's My Turn (C-Systems Remix)
2 (+2)
Sparse
27
▼ −11.8
34
33
22
Curtis Mayfield · Move On Up (Mark Knight Remix)
2 (+2)
Sparse
52
▼ −11.7
54
45
23
The Space Brothers & MDDLTN · Forgiven
4 (-1)
Building
45
▼ −11.6
44
55
24
Modern Machines · Feed Your Soul
1 (+1)
Sparse
76
▼ −11.4
55
56
25
Essel & Alex Mills · Give Me Desire
3 (+2)
Sparse
55
▼ −11.4
54
63
Exposure vs Hold 60 most-played tracks
Rotation profile observed airplay pattern, all in rotation
Sparse
834 tracks
Steady
182 tracks
Building
22 tracks
Comeback candidates strong tracks off air (under-played gold)
#
Track
Off air
POP
1
220 Kid & Jem Cooke · Another Life
65d
100
2
Avian Grays & Kayla Diamond · You
67d
99
3
Belters Only & Jazzy · Don't Stop Just Yet
65d
90
4
Simon Field & Yasmin Jane · One Last Secret
63d
89
5
Something Good Feat. Sansa · Before Dawn (Solardo Remix)
33d
88
6
Kream Feat. Marlo Rex · Rendezvous
52d
86
7
Hibell · Talking To The Moon
51d
85
8
Helsløwed & Polina Vita · Like A Ghost
56d
85
9
Low Steppa · Stand By Me
53d
85
10
Paul Woolford & LF System · In My Head
22d
85
11
Switch Disco · What You Want
51d
85
12
Hix & Kelli Leigh · Oh No You Didn't
51d
84
Genre performance by genre (most-played), by appeal · catalog avg 51.4
Genre
Tracks
Score
vs catalog
Dance-pop
16
55.6
▲ +4.2
Dubstep
13
54.5
▲ +3.1
Eurodance
11
54.4
▲ +3.0
Techno
31
54.3
▲ +2.9
Tech House
16
53.7
▲ +2.3
Deep House
22
53.0
▲ +1.6
House
549
52.7
▲ +1.3
Trance
193
49.9
▼ −1.5
Pop
46
49.3
▼ −2.1
Hardstyle
15
49.0
▼ −2.4
Progressive House
20
48.1
▼ −3.3
Drum and Bass
57
44.3
▼ −7.1
Audience average and peak online listeners
BY DAY · avg fill, peak cap
DAYPART HOLD · avg listeners by hour
Methodology
POP is Airplay Live's 0-100 measure of how well a track holds listeners during actual broadcasts; Move is its change across the period. Cross is the channel-comparable version; Appeal is the track's raw pull. Rotation describes the observed airplay pattern since the track entered our airplay (Early / Heavy / Steady / Sparse / Building), not the station's own rotation categories or a song's chart lifecycle. Song-level plays only (60-1140s, non-music and long mixes excluded). Audience is the average and peak concurrent online listeners for the period, not cume. Times are in the station's home timezone (London (BST)).
Song-level plays only (60-1140s, non-showmix, non-break). Tune-out rate is mean ratio_adj (signed, lower is better). No cume: audience is average/peak concurrent online listeners.